Like everything else, jazz came about through a very american sort of mixture delta blues met with sousa marching bands debussy encountered negro spirituals hymn tunes and creole culture collided. Not borrowing from black music has created a sterile, rhythmically bland, white genre that appeals to surprise white youth. To young jazzers today, distorted guitar is not a fresh new sound at all it is the sound they grew up listening to. From the perspective of a musician who has been playing and listening to the new jazz for years now, therefore, i can say that this sort of thing comes much more naturally than autumn leaves and solar rock is what young americans grew up listening to, and the fact that jazz has been borrowing from it so heavily lately is a testament to the resilience and relevance of the style in 2008. Three recent records exemplify this shifting, more rocking selfidentification. Not borrowing from black music has created a sterile, rhythmically bland, white genre that appeals to surprise white youth. With very few exceptions globally, there isnt a music out there that hasnt stolen ideas from other musical cultures around it. On day is done, one hand is playing jazz while the other is pounding power chords and flipping off the establishment. The narrator questions his library of books just as a jazzer questions his arsenal of dense music theory. High schools are the perfect laboratory for musicbased social identity. it is an illusion brought about by the record store racks that discrete stylistic barriers separate the music we love into camps of genre.

To young americans, rock and hiphop is in our blood, and jazz is a transfusion we got later in lifeanother point to mention just as the erudite narrator in kazantzakiss masterpiece envies zorbas earthy, intuitive ways, so do the scholarly pursuits look upon the nonscholarly as a sort of prelapsarian utopia of unmediated reality.

What is it about the intellectual character that looks longingly at the illiterate i have a hunch that the ideal notion of purity has something to do with it, but more on this idea in another post perhaps for now, lets return to the topicthe generational shift and its mark on jazz aesthetics is becoming plain as day. I dont want to labor them too extensively, so heres a brief description of a few rocking jazz picks from the last couple yearsthe bad plus, prog 2006this is piano trio music that strives for the sound of a power trio. To young americans, rock and hiphop is in our blood, and jazz is a transfusion we got later in lifeanother point to mention just as the erudite narrator in kazantzakiss masterpiece envies zorbas earthy, intuitive ways, so do the scholarly pursuits look upon the nonscholarly as a sort of prelapsarian utopia of unmediated reality.

People always respect songwriter composers who writes and compose their own songs.

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